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Light Bubbling

沸騰中的光線

Project Type
Light Installation
Role
Installation Artist
Year
1999
Location
John Batten Gallery, Central, Hongkong
Presenter / Support / Commissioner
John Batten Gallery / 20 Beans + A Box

The Beginnings of an Artistic Vocabulary


Light Bubbling marks the emergence of Chi‑yung Wong’s artistic voice. Created at the age of eighteen, this early lighting installation reveals his instinctive fascination with the narrative and emotional capacities of light—an interest that would later define his multidisciplinary practice.


The work brings together two strands of Wong’s teenage imagination: a series of sketches depicting a one‑eyed figure, and drawings of rain rendered with the sensitivity of someone observing the city from within it. These images were printed on transparent screens and suspended as layered collages within a metal structure inspired by the old window frames of Hong Kong. Once ubiquitous across the city, these metal frames carry a distinct cultural memory—symbols of a disappearing Hong Kong now replaced by sealed, modern façades.


Reimagining the City Through Light


Wong pairs these architectural remnants with the neon glow that shaped his childhood in Kowloon. For him, neon was both allure and warning: a luminous language of the streets, associated with the nightlife and marginal economies of Mongkok and Portland Street. Rather than reproducing this atmosphere, Wong reimagines it. He transforms the rusted, fading textures of 1990s Hong Kong into a minimal, futuristic light sculpture—an object that holds both the weight of history and the promise of reinvention.


Suspended from the ceiling and hovering just above the floor, the installation creates a tension between heaviness and levitation, past and future, ground and groundlessness. It becomes a threshold: a space where the old city meets the artist’s emerging vision.


Youth, Identity, and Cultural Transition


Light Bubbling is not only Wong’s first artwork; it is a self‑portrait of becoming. Growing up between the gentle landscapes of Tai Po, the dense cyberpunk energy of Mongkok, and the modernity of Hong Kong Island—while studying lighting design at the Hong Kong Academy for Performing Arts—Wong moved through three distinct subcultures of the city. This work captures that movement. It reflects the speed, collision, and cultural hybridity of Hong Kong in the 1990s, while tracing the uncertainties and aspirations of a young artist finding his place within it.

In this early installation, Wong offers more than an exploration of light. He offers a record of youth, a meditation on a city in transition, and a glimpse of the artistic trajectory that would follow.

藝術語言的萌芽


《沸騰中的光線》標誌著王志勇藝術語言的初次成形。這件創作於十八歲時的早期燈光裝置,已清晰展現其對光的敘事性與情感性所抱持的敏銳直覺——這份關懷亦成為他日後跨領域實踐的核心。


作品結合了藝術家少年時期的兩組想像:一系列獨眼人物的素描,以及以細膩視角描繪城市雨景的速寫。這些圖像被印製於透明介質之上,懸吊於金屬結構中,形成層疊的影像拼貼。其金屬框架取材自昔日香港常見的舊式窗框——一種承載城市集體記憶的日常物件,如今已在重建浪潮中逐漸消失,為密閉而現代化的外牆所取代。


以光重新想像城市


王志勇將這些建築殘影與其成長於九龍時所熟悉的霓虹光並置。對他而言,霓虹既具誘惑亦帶警示,是街道的語言,亦是旺角與砵蘭街夜生活及邊緣經濟的象徵。他並未複製那種強烈的氛圍,而是予以重新詮釋——將一九九〇年代香港斑駁、鏽蝕的城市質感,轉化為一件極簡而具未來感的光雕塑,既承載歷史重量,亦指向再生之可能。

裝置自天花垂下,幾乎貼近地面,形成介乎沉重與飄浮、過去與未來、落地與失重之間的張力。它成為一道門檻——舊城與新視野於此交會。


青春、身份與文化轉折


《沸騰中的光線》不僅是王志勇的首件作品,更是一幅自我成長的肖像。其童年與少年時期穿梭於大埔的自然氣息、旺角的賽博龐克密度,以及港島的現代節奏之間;其後於香港演藝學院修讀燈光設計,進一步在城市的三種文化場域中移動。作品捕捉了此種流動性,亦映照出九〇年代香港的速度感、碰撞性與文化混融狀態,並呈現一位年輕藝術家在其中摸索定位的渴望與不確定。


在這件早期作品中,藝術家不僅探索光的可能性,更留下一份青春的記錄、一段城市變遷的沉思,以及其未來藝術道路的初步軌跡。

Artist -  Chiyung WONG
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